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Print and download in PDF or MIDI La Leggierezza. S. , No. 2 Interpretation: C. Arrau. The BBC work page for 3 études de concert – No 2, ‘La leggierezza’ by Franz Liszt. Find upcoming concerts, watch performances, and learn more about the. Liszt: Dante Sonata / Ballade No. 2 / Funerailles / La Leggierezza. By Franz Liszt, Karoly Mocsari. • 5 songs. Play on Spotify. 1. Annees de pelerinage, 2nd.

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Evgeny Kissin in Concert.

The Complete Studio Recordings. Editor Ferruccio Busoni — The Young Martha Argerich, Vol. The work is a study, as the title suggests, of “nimbleness” and “lightness” the word also means “fickleness” and “thoughtlessness” but these qualities cannot be convincingly said to lie in the lyrical music. My Father Was Simon Barere.

Benno Moiseiwitsch Solo Piano Recordings, Leggoerezza August Schmid-Lindner — This page was last edited on 15 Decemberat The first measure of the melody then becomes the material for a series of quick modulations A flat major to B flat minor to B minor to E major. New Light on Liszt and His Music: Franz Liszt List of compositions by Franz Liszt. La leggierezza often included an alternate ending written by Polish teacher Theodor Leschetizky.

Retrieved 29 June Contents 1 Performances 1. Retrieved from ” http: Streams Videos All Posts. Simon Barere at the Carnegie Hall. Martha Argerich in New York, Llszt Paderewski recording includes the full “Leschetizky ending,” while the recording by Moiseiwitsch includes his own abbreviated version of the Leschetizky ending. Live Recordings at Leggierezzza Hall, Ldggierezza.

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leggierwzza The Art of Paderewski, Vol. Originally scanned at about pi, converted to dpi monochrome. Drinking Hanging Out In Love. The melody then seems to momentarily get tied up in a repeating psychological “knot” from which it escapes by climbing to the upper octave and beginning again.

Views Read Edit View history. The work opens with a ten-measure introduction, marked a capriccio.

The Virtuosity of Earl Wild. The Complete Edition Box 1. From Wikipedia, the free encyclopedia. The Complete Liszt Recordings.

La Leggierezza, for piano in F… | Details | AllMusic

Although the piece opens and ends in A-flat major, it shifts throughout its three parts to many other keys, A, G, Leggiwrezza, F-sharp and B among them. The bass moves downward in constant triplet arpeggios while the melody resists this motion and continues its lyrical exposition. Edition PetersNo. Please help improve this article by adding citations to reliable sources.

Please obey the copyright laws of your country. From the History of the Tchaikovsky Competition Phonodocuments. This section leggierexza additional citations for verification. Since there are so many notes to be played rapidly and they are too far away from other clusters of notes that must be played as well, the hands are required to cross multiple times to reach dramatic notes near the end of the piece on the last page. Technische StudienS.

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La Leggierezza, for piano in F minor (Grandes études de concert No. 2) , S. 144/2 (LW A118/2)

The Ultraphone and Cetra Recordings Medici Classics formerly Monarch. However, it is likely that the title did not originate with Liszt. Romantic Evening Sex All Themes. Yevgeny Kissin in Tokyo. The spinning figure, written in small un-measured quick grace notes, turns into into running chromatic sextuplets and septuplets that fly above the original theme’s bass part.

Earl Wild Plays Liszt in Concert. Sexy Trippy All Moods. You may ask me for a manually cleaned version. The Best of Liszt. The previous major sixth idea then becomes “locked,” ascends as before to the upper ranges from which a swift chromatic scale played rinforzando tears through all the previous rich timbres like a lightning bolt that finally settles into a fast spin in the middle register.

More by Franz Liszt

Hungarian Fantasy Piano Concerto No. Live at Jordan Hall. Morceau de salonS. I provide the original scanned version and the filtered, because the filter does some changes smoothening, sharpening borders and some portions of the scan get lost sometimes when they are too small e.