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Gyorgy Ligeti: Passacaglia Ungherese by Ken Thomson, released 07 September Ligeti – Passacaglia Uploaded by .. Ligeti – Le Grand Macabre – Uploaded LIGETI – Analyse Continuum Sheet Music – £ – Gyorgy Ligeti – Passacaglia Ungherese (for harpsichord).

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Home Journals Magyar Zene Vol. These motives pile up on each other resulting in wild harmonic clashes. Moreover, they are alienated by the systematic transposition of some of their notes and phrases, while their characteristic melodic and rhythmic features, as well as their strophic structure are retained.

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The variations on it take the form of short, overlapping motives, including one with a clearly folk-inspired liget snap” an accented first unghwrese note on the beat followed by a longer note, it is common also in Scots folk music. A passacaglia is a set of variations written upon a theme called the “ground” which is constantly repeated.

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György Ligeti – Passacaglia Ungherese by Mahan Esfahani | Free Listening on SoundCloud

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Sexy Trippy All Moods. Music of Our Time Special Edition. Share on facebook twitter tumblr. In both works, elements of Hungarian folk music are mixed with distant musical styles and idioms the chaconne and passacaglia tradition, elements of jazz and rock, Balkan and Caribbean rhythms.

Passacaglia Ungherese, for harpsichord

At times oigeti seems as though the harpsichord’s resonant, clangorous characteristic is being used to create piles of natural overtones of the sounding strings while notes which are alien to the hanging cloud of notes are sounded, creating a sour effect. As I point out, both pieces contain a number of “mistuned” Hungarian folk song imitations.

Magyar ZeneVol. The theme in this case is a slowly walking theme of rising and falling contours, which is rather monotonous in itself. This article focuses on the “Hungarianness” of the two pieces, a feature that is ostentatiously emphasized by their titles, analyzing which features can be regarded as Hungarian, how these are related to other, culturally more distant, references, and what role they are playing within the pieces.

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Gyorgy Ligeti – Passacaglia Ungherese (for harpsichord)

But Ligeti’s melodies do not so much imitate specific folk songs as abstract melodic types. View it in the Music Periodicals Database. Please enable JavaScript in your browser to use the site fully.