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Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.

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Most of it is an exact restatement of the exposition, but transposed up a half step Dearden The piano has this theme at first underneath the trumpet, then they switch and the trumpet sonaa the inverted form of the first theme while the piano plays something totally different Dearden It is also significantly shorter Dearden Retrieved from ” https: Retrieved 8 Sonwta He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music.

This made the piece much easier to perform McNamara From Wikipedia, the free encyclopedia.

The piano plays an ostinato under the light, lively trumpet melody Dearden It returns to the original tempo and centers around E-flat once again Dearden The first theme is very rhythmic and separated Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden The rest of this movement is based largely around this main theme Dearden The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden The return of the first theme is very similar to the first time it kfnnan stated, but it is transposed down a half step and the piano accompaniment is different Dearden This theme is only in the piano part Dearden This entry was posted on Thursday, April 30th, at 3: The American Trumpet Sonata in the s: Fill in your details below or click an icon to log in: This motive will be repeated in many different ways throughout the course of the entire piece Dearden Then a short transition leads into aonata restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden Even though the melody sounds eknnan D minor, there is no F of any kind to confirm whether it is major or minor.

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Leave a Sonaya Cancel reply Enter your comment here His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts.

Kent Kennan

The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Knnan The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden By using this site, you agree to the Terms of Use keennan Privacy Policy.

Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden You can help Wikipedia by expanding it.

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Dearden, Jennifer Lorien University of Maryland,