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Hexachordum Apollinis is considered Pachelbel’s finest composition in variation form. It consists of six Arias each comprising a theme and variations. The first. Hexachordum Apollinis: Aria Prima in D Minor. 3. Hexachordum Apollinis: Aria Secunda in E Minor Hexachordum Apollinis: Aria Tertia in F Major. Find album reviews, stream songs, credits and award information for Johann Pachelbel: Hexachordum Apollinis – Edoardo Bellotti on AllMusic –

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Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. Pachelbel also confesses that “something weightier and more unusual” than this work should have been written for the occasion, [2] apparently feeling that this is not his best work.

This is one of a dozen or so organs forming the O’Neill Collection at the University of California where Butt is campus organist.

According to the old hexachordal principle the sixth aria should’ve been in B-flat major. The collection includes a preface in which Pachelbel dedicates the work to Dieterich Buxtehude and Ferdinand Tobias Richter and briefly discusses the nature of music.

Of all published works by Pachelbel, Hexachordum Apollinis had the widest distribution and survives in more than 10 copies in various libraries in BerlinLondonThe HagueRochesterand other cities. There is a distinct difference between Hexachordun Sebaldina and the preceding five arias. The overall plan of Hexachordum Apollinis is as follows:.

Fragmentary autograph, Singakademie zu Berlin. Please obey the copyright laws of your country. He certainly practises what he preaches. Bayerische Staatsbibliothek, Munich D-Mbs: Gramophone products aplllinis those of specially selected partners from the world of music.

For arrangements, new editions, etc. Pachelbel wrote a short preface dated November 20,in which apoloinis dedicated the collection to Dieterich Buxtehude and Ferdinand Tobias Richter and expresses a hope that his eldest son Wilhelm Hieronymus might study with one of them it is unknown whether this hope was realized.

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The number of variations is larger than that of any other aria, and Aria Sebaldina is also the only one provided with a subtitle.

Johann Pachelbel: Hexachordum Apollinis 1699

This final Aria, sub-titled ”Aria Sebaldina” after xpollinis patron saint of the church in Nuremberg where Pachelbel was organist, has long intrigued scholars. From Wikipedia, the free encyclopedia.

Pachelbel alludes to the “friendly nature” of Buxtehude and Richter, which might indicate that he knew one of them or both, perhaps through correspondence. Javascript is required for this feature. Butt’s choice would seem particularly sensible. It would be hard to argue against such convincing playing. Sebaldus Church in Nuremberg, where Pachelbel was working at the time.

It consists of six Arias each comprising a theme and variations. The description given in Welter p. Views Read Edit View history. Harmonia Mundi promise a series of recordings featuring these instruments; on the strength of this first release, this is going to be a most impressive series.

Sebaldina almost certainly refers to St. Pachelbel writes that music is the finest of the arts, governing human emotions and desires, and expresses the “belief of many” that music comes from the “Dreymal-Heilig” sung by angels [4] and from the movement of celestial bodies a belief, Pachelbel points out, shared by Pythagoras and Plato. Aria Sexta for apoolinis. The variations conform to the yexachordum concept: Another topic discussed in the preface is the nature of music.

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Hence, the edition is public domain in its country of origin or a government publication. A separate page of the preface illuminates a cabalistic aspect of Hexachordum Apollinis: He uses its resources very sparingly and with unerringly sound judgement.

The first five encompass the span of a perfect fifth but the sixth is something of an enigma; its home key deviates from the expected sequence forming the hexachord, it is in triple time while the others are in quadruple and it contains eight variations as against the five or six of the previous Arias.

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His playing on this disc has complete self-assurance and a startling directness which brings it all very much alive. The practice of composing variations on original themes was a relatively new one [8] one previous instance was Frescobaldi ‘s Aria detta la Frescobalda from the Secondo libro di toccate ; of Pachelbel’s contemporaries Bernardo Pasquini was one of the main exponents of this trendand Pachelbel was among the first in Europe to explore the form.

Ferdinand Tobias Richter and Dietrich Buxtehude. Title-page transcription Hexachordum Apollinis Sex Arias exhibens Organo pnevmatico, vel clavato cymbalo modulandas quarum singulis suae sunt subjectae Variationes, Philomusorum in gratiam adornatum. It comprises six arias with variations, on original themes, and is generally regarded as one of the pinnacles of Pachelbel’s oeuvre.

Hexachordum Apollinis – Wikipedia

Pachelbel’s themes are simple song-like pieces in two sections: Furthermore, this aria is in 3 4 time, whereas the other arias are in common time. Retrieved from ” http: These file s are part of the Werner Icking Music Collection. Hexachotdum Apollinised. Editor Max Seiffert Composition Artist Credits Ciaconna I. First of all, the first arias are arranged so that their keys span a perfect fifththe keys of a hexachord.

Retrieved from ” https: Pachelbel Hexachordum Apollinis Ciaconna I. Hexachordum Apollinis is considered Pachelbel’s finest composition in variation form. Naxos Javascript not enabled.