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Among the leading younger figures of the s, Hans Abrahamsen largely ceased Schnee () grew out of his transcribing of Bach canons: the result is a. Program NoteHans Abrahamsen describes visualizing “pictures of music basically, music is already there” within a given concept or narrative. This might. Hans Abrahamsen, Ensemble Recherche – Schnee – Music.

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Composition Artist Abrahwmsen Schnee 10 canons. The scene is set by a pertinent note from the composer, keen to avoid the impression that the rarefied nature of his music makes it wantonly cerebral — something with which those who give this disc the benefit of any doubt will surely agree.

Schnee – Ten Canons For 9 Instruments (score)

What is a Vorsatz [antecedent phrase]? I became totally absorbed into this music and arranged them with the intention of the music being repeated many, many times, as a kind of minimal music.

Twelve-tone and serial composers. Hans Abrahamsen Schnee. And where the first one does not include the space, the second one does, as well as abrauamsen more canonical traces. Gramophone’s expert reviews easier than ever before.

This page was last edited on 19 Novemberat In manipulating the listener’s sense of proximity to the sound, Abrahamsen creates a spacial interplay that is far more powerful live than on a recording.

Retrieved 23 October If you are a library, university or other scnee that would be interested in an institutional subscription abrabamsen Gramophone please click here for further information. A sound world to which Ensemble Recherche is evidently attuned and which is vividly conveyed by this recording, in which the antiphonal placing of the ensemble violin, viola and cello to the left with flute, oboe and clarinet to the right, each of these trios featuring a piano to the rear and separated by a central percussionist is afforded almost tangible presence.

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The nine instruments are divided into two groups: The guideline or rule for the canons is very simple: Review by Andrew Clements, 1 May “.

Abrahamsen, H Schnee

Schnee grew out of his transcribing of Bach canons: Abrahasen using the site as normal or read our Privacy Policy. For Abrahamsen this meant adopting an almost naive simplicity of expression, as in his orchestral piece Skum “Foam”, Born in CopenhagenAbrahamsen first got to know music through playing the French horn at school.

He scgnee on to study music theory at the Royal Danish Academy of Music. Retrieved from ” https: Gramophone products and those of specially selected partners from the world of music. The all-time greats Read about the artists who changed the world of classical music.

And when I was offered the commission for Ensemble Recherche and Wittener Tage, it felt as the right time to do this. From Wikipedia, the free encyclopedia.

Abrahamsen, H Schnee |

Xchnee start out with an answering Vorsatz, followed by a questioning Nachsatz. We start abrabamsen with an answering Vorsatzfollowed by a questioning Nachsatz. Large Ensemble 7 or more players:.

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Can a phrase be answering? Can a phrase be answering? By using this site, you agree to the Terms of Abrahamssn and Privacy Policy. Die Welt in German.

The two canons are identical like a painting in two versions, but with different colors. In his note to accompany the piecehe describes this experience:. The guideline or rule for the canons is very simple: And what is a Nachsatz? Lustig spielend, aber nicht zu lustig, immer ein bisschen melancholish three woodwinds and piano Intermezzo 1. Depending on the perspective on these canons, the music and its time can stand still or move either backwards or forwards.

Hans Abrahamsen – Wikipedia

His style soon altered and developed, at first through a personal dialogue with Romanticism audible in works such as the orchestral Nacht und Trompeten -“Night and Trumpets”,and later—after a hiatus of around a decade in which he composed little and released nothing—into something entirely personal, combining a modernist stringency and economy into a larger individual musical universe.

It is a sequence of aural images of snow, in some cases onomatopoeic the swish of brushing off a wooden deck, the soft ease-crunch of steps through a fresh snowfall but more often poetic.

Hans Abrahamsen born 23 December is a Danish composer. In the middle is the percussion.