Requiem aeternam (Anerio, Felice) Work Title, Requiem aeternam. Alternative. Title Some WorldCat sources give the title of this as “Missa pro defunctis”. Felice Anerio wrote the motet, but the centrepiece of this disc is the fine requiem mass by his younger brother Giovanni Francesco Anerio. Giovanni Francesco. Giovanni Francesco Anerio spent most of his life in Rome. Of course in this Missa pro Defunctis, Anerio made widespread use of the plainchant in a variety of.
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Missa pro defunctis Period: Service at various Roman churches followed, including spells as maestro at the Spanish Santa Maria di Monserrato and the English College, before he was appointed composer to the Papal Chapel on the death of Palestrina in Salve regina is the Marian antiphon sung at the end of Compline or Vespers between Pentecost and Advent.
Source M of R. In the early s he acted as maestro to Duke Giovanni Angelo Altemps, who maintained an important private chapel in the city, and while in his service he too, like his younger brother, began to explore the new styles of writing for small numbers of voices with basso continuo.
Requiem aeternam (Anerio, Felice) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
This is certainly true of the Anerio brothers, Felice and Giovanni Francesco, born in the reauiem into a Roman musical family—their father, Maurizio, was a trombone player—and the music presented here, some of it being heard for the first time since the seventeenth century, should help make listeners aware of the riches waiting to be discovered in the works of these composers.
In fact there are three settings of this text, two attributed to Rrequiem and one to Giovanni Francesco, though none is found in sources before the nineteenth century. The attention paid to Palestrina in the four centuries requieem his death has meant the neglect of a substantial group of composers who were his contemporaries, or part of the following generation.
Missa pro Defunctis Anerio, Giovanni Francesco Genre Categories Masses ; Religious works ; For 4 anefio ; For unaccompanied voices ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Latin language.
Es handelt sich um eine sehr schlichte homophone Vertonung, deren Hauptausdrucksmittel geschickt eingesetzte Vorhalte sind. Originally issued on CDA Of course all the Missa pro Defunctis composed in the Renaissance period I saw are works written with deep devotion and painful hope, but in music terms they seems unbeatable most impressive.
Contrary to his Flemish colleagues only sizable proportions are written in homophonic style or even chordal style Second part of the Introit, most of the Sequence, parts of the Offertory, Sanctus, Benedictus, Agnus Dei and parts of the Libera me. Scores Anerio, Giovanni Francesco Renaissance style Baroque Masses Religious works For 4 voices For unaccompanied voices Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring the tenor voice Scores featuring the bass voice Latin language Pages with commercial recordings Pages with commercial recordings Naxos collection Pages with commercial recordings BnF collection.
Work Title Missa pro Defunctis Alt ernative. Und dabei waren die ca. Anerio published a book with masses Scores Anerio, Felice Renaissance style Renaissance Requiems Funeral music Religious works For mixed chorus Scores featuring mixed chorus For unaccompanied chorus For 4 voices For unaccompanied voices Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring the tenor voice Scores featuring the bass voice Latin language.
Missa pro Defunctis (Anerio, Giovanni Francesco)
Work Title Requiem aeternam Alt ernative. Unter den Mitgliedern der Kapelle befanden sich zu der Zeit eine Reihe von Komponisten, so etwa Giovanni Maria Nanino, die sich als gleichrangig mit Anerio betrachteten. Ad te levavi ist eine Vertonung des Psalms bzw.
The Sequence is written for alternating use. Each of these composers was an individual and, while much of their music did continue to develop the style of the later Palestrina, they also began to explore the new ground opened up, for example, by the advent of the basso continuo. Vidi speciosam sets a text from the Song of Songs, a source of erotic verse which, because of its biblical pedigree, was a safe and therefore popular quarry for late qnerio composers.
The antiphon Aperite mihi portas set by Giovanni Anerio is a very short antiphon sung at the end of the in exsequiis Defuncti, the burial services at the graveyard. Latin from Officium Defunctorum Duration: Late Renaissance Musical form: Don’t show me this message again.
And yet the rqeuiem or so years between and saw a huge expansion in Roman musical activity and a consequent explosion of composition by native Italians attracted to the city. Salve regina ist die Marianische Antiphon, die zum Schluss der Komplet beziehungsweise der Vesper zwischen Pfingsten und Advent gesungen wird. It is basically a very simple homophonic setting which relies on the effective use of suspensions as its main expressive device.
It ends in a hopeful G-major hoping or stating the justified reqkiem enter the gate of the Lord. Plainsong pervades the work, both as cantus firmus and paraphrase, but often in very subtle ways.
Anerio Requiem CDH [RH]: Classical CD Reviews- May MusicWeb-International
Der Choral durchzieht das gesamte Werk, sowohl als Cantus firmus als auch als Paraphrase, oft jedoch auf sehr subtile Art und Weise. His very large output in this area has remained completely unedited and ignored, leading to his being somewhat unjustly regarded as more conservative than his younger brother.
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Requiem aeternam Kyrie Christe Kyrie Sequentia: Jahrhunderts sehr beliebt war. Missa pro defunctis cum sequentia et respons.
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This movement, describing the Last Judgement, is the centrepiece of the work and Anerio takes every opportunity to match his music to the words: Ad te levavi sets Psalm whose penitential text would have made it suitable for singing in Roman oratories requifm Lent.
If you compare aneroo below mentioned setting of Aperite mihi portas with that by Giovanni Dragoni c.
Of course in this Missa pro Defunctis, Anerio made widespread use of the plainchant in a variety of forms.