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Songs in this series. 1. ¿Con qué la lavaré? 2. Vos me matásteis; 3. ¿De dónde venís, amore? 4. De los álamos vengo, madre. Composer; Performances. [translations by John Glenn Paton]. Cuatro Madrigales Amatorios () [ anonymous]. Joaquin Rodrigo. ¿Con qué la lavaré? (–). Vos me matásteis. Cuatro madrigales amatorios (). Compose date: Duration: 8′. Editor: Chester. Orchestration: soprano 2 (1) 1 0 1 1 0 0 Str. Versions: Original for voice.

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Nothing else in Rodrigo’s catalogue is more heavily influenced by folk music than his “Cuatro Madrigales Amatorios”. Please enable JavaScript in your browser to use the site fully.

En Aranjuez con tu amor. The text, which is only four lines long, is repeated in isolated phrases and reharmonized, taking on a surreal character as amztorios result of this obsessiveness.

Introspection Late Night Partying. Sur Les Ailes du Chant. Beautiful Dorian-mode harmonies begin the work. Given the romantic, sweeping hyperbole of the music “Long haired maiden, You have made me die” it is clear why the sort of sentiment popularized madrigles the Golden Age captured the imagination of all men and woman, regardless of class.

The simple contrapuntal style aamatorios a perfect musical match for a text concerning someone enchanted with a young virgin girl on the banks of a river who has remarkable hair in which he feels tied up — “you have killed me,” he says. Drinking Hanging Out In Love. This renewed focus on the citizenry, rather than the aristocracy, had a profound influence on the music being composed at the time.

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Rodrigo himself was heavily influenced by the Spanish Civil War, a pivotal aspect of which was the struggle of the lower and middle class against the burguesia, or the elite. Rainy Day Relaxation Road Trip. Powered by Create your own unique website with customizable templates. AllMusic Featured Composition Noteworthy. These underscore the text, which urges a mother marrigales go to a stand of poplar trees. The melody itself has a lively Latin folk flavor accompanied by “wrong-note” ,adrigales clusters and tinkling motoric patterns.

Joaquín Rodrigo – Cuatro madrigales amatorios ()

Songs from the Soul. Jazz Latin New Age. Madrigaes fourth madrigal, De donde venis, amore? The text repeats and gradually adds more lines, eventually unfolding a complete image in which the mother is urged to go to see the popular trees in Seville, where the singer’s beautiful girlfriend lives.

AllMusic relies heavily on JavaScript. Amatrios was the elite’s fascination with romantic adversity which served to popularize such a broad musical movement, and gave birth to some of the time’s most exemplary art.

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Madrigales (4) amatorios, for voice & piano (or soprano & orchestra)

There is an ecstatic amagorios and a kind of teasing to the repetition of the text which continually inquires as to the direction a beloved one is going: Romantic Evening Sex All Themes. Streams Videos All Posts. The final exhortation is accompanied by light music box-like tinkling patterns in the high piano registers at a pianissimo dynamic, which leaves an aura of unreality hanging in the air at the conclusion of the whole set. Genre Vocal Music Classical.

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It’s understandable that Rodrigo would strive to honor these works. It is through the tributes of composers like Rodrigo that the music amatprios this extraordinary era lives on through the 21st century. There is a steadily increasing Spanish-style melisma and skips of a perfect fourth in those passages that refer to the swaying of the trees in the wind.

Indeed, it was during a time of intense pain that he composed part of his most recognized piece, the Concierto De Aranjuez. Homenaje a Joaquin Rodrigo. This amatirios a divide which recurs throughout Spanish history.

In “Vos me matasteis” leftthe soloist performs a song of love which comes straight out of Spanish peasant culture, expressing heartbreak which the elite were likely not overly familiar with.