Bad Blood (La malasangre) [Griselda Gambaro, Marguerite Feitlowitz] on *FREE* shipping on qualifying offers. La Malasangre Y Otras Obras De Teatro [GRISELDA GAMBARO] on Amazon. com. *FREE* shipping on qualifying offers. Download Citation on ResearchGate | La Malasangre (review) | Theatre Journal They have produced a play by Griselda Gambaro, a contemporary Argentine.
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The superficially frolicsome act horrifies with its sexual suggestion of incest and underlying violence. In lieu of an abstract, here is a brief excerpt of the content: The play reminds us that though we cannot perfectly recapture the mood of s Argentina, bloody and battered by dictatorship, we can, in the current world, still feel Argentina’s pain as it undergoes yet another political, social, and economic crisis.
Gambaro Griselda La Malasangre
The two young people eventually fall in love and plan their escape. Built on the Johns Hopkins University Campus. The tortured nature of their relationship is exemplified in the scene where Dolores provokes Rafael to hit her by repeatedly cursing him as servile.
In order for the play to work dramatically, Dolores and Rafael must have a chemistry that bespeaks love and hate simultaneously. Without cookies your experience may not be seamless.
The scene ends in a hellish, blackish red light, foreshadowing the blood that will soon run.
Dolores’s father ignores this sexual assault. The terror often overwhelms in its intensity and precision, explaining They joke childishly with each other, with Dolores eventually sitting on her father’s lap while he bounces her on his knee. In a terrifying instance of dangerous games, she plays the role of Daddy’s little girl while her father decides how to punish Rafael.
The tone of playfulness shifts gabmaro to naked violence as Rafael is dragged away by the father’s lackey, Fermin Dario Tangelsona creepy, fawning fellow. After he does indeed strike her, she calls her father Benigno played by Mauricio Bustamente, who [End Page ] easily moves between the character’s authoritative and comedic features, making Benigno a sadistic prankster. Within this familial microcosm, Gambaro denounces state terrorism and the ignorance of a population that blinds itself to atrocity.
The actors, Anilu Pardo and Gonzalo Villanueva, perform with passion and conviction, making the relationship believable, and ultimately tragic. Theatricality becomes a form of torture for Dolores, and perhaps, the audience.
gambafo The father, with his bright red jacket, angular face, and slim body, takes on the grotesque hue of a devil. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
Gambaro’s dramaturgy is one of extremes. They have produced a play by Griselda Gambaro, a contemporary Argentine playwright whose work is too rarely seen in the United States.
His sadistic character is captured convincingly by the attractive actor Gerardo Gudino. Further adding to the disturbing nature of the scene, the father orders Fermin to dance with Rafael, to humiliate the already victimized tutor. The play is laa brilliantly constructed chess game with characters who alternate between oppressor and oppressed.
In addition, Dolores suffers in watching this decent man abused.
Project MUSE – La Malasangre (review)
With a startling light change, Dolores alters expression and stares at her father, now cognizant of the real pain that she has effected. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. The Padre, named Benigno, lz both to the fascist Benito Mussolini and commenting ironically to his own harmful nature, hires a hunchbacked tutor, Rafael, to instruct his spoiled and haughty daughter, Dolores.
The play, La malasangre Bad Blooddebuted in [End Page ] Buenos Aires in toward the end of the Dirty War—when nearly 30, citizens were kidnapped, tortured, and murdered by the military government. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
In contrasting scenes, Gambaro trenchantly displays the irony and cruelty of power relationships. Though the production, by the Mexican director Alejandra Orozco, downplays the political for the personal, the many confrontations in the play strikingly display the power relationships.
However, the Madre informs the Padre of mmalasangre stratagem. The production offers many similarly vivid and tense scenes of cruelty and aggression. Repertorio Espanol, New York City.